A Portrait of the Artist as a Young Man

"I will not serve that in which I no longer believe, whether it call itself my home, my fatherland or my church: and I will try to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defence the only arms I allow myself to use -- silence, exile, and cunning." James Joyce's supremely innovative fictional autobiography is also, in the apt phrase of the biographer Richard Ellmann, nothing less than "the gestation of a soul." For as he describes the shabby, cloying, and sometimes terrifying Dublin upbringing of his alter ego, Stephen Dedalus, Joyce immerses the reader in his emerging consciousness, employing language that ranges from baby talk to hellfire sermon to a triumphant artist's manifesto. The result is a novel of immense boldness, eloquence, and energy, a work that inaugurated a literary revolution and has become a model for the portrayal of the self in our time.

James Joyce est né le 2 février 1882 à Rathgar, dans la banlieue de Dublin. Dès 1897, il commence à écrire. Il entre à University College en 1898, et c'est en 1900 qu'il fait un véritable début littéraire, avec un article sur Ibsen. En 1920, James Joyce s'installe à Paris sur les conseils d'Ezra Pound. Il fait la connaissance d'Adrienne Monnier, de Sylvia Beach, qui publie Ulysse en 1922, de Valery Larbaud, qui le présente au Tout-Paris littéraire. En 1940, il se réfugie à Zurich, où il meurt le 13 janvier 1941.